26 May 2011

Rudiments

Whilst we have discussed the basics when it comes to setting up your kit and how to hold your sticks, we've still not mentioned the basics of actually playing. Well that's what this entry is for, as we take a look at rudiments.

(Before we start, it should be noted that whilst rudiments are useful and important, it's not vital to master each and every one before you consider yourself a "good" drummer, so don't worry about it too much if you take a while getting to grips with them, or if some of them escape you completely.)

Rudiments are the patterns which you play on the drums. They're the building blocks that beats and fills are made up of, to put it simply. Think of the most common drum fill, for example: four beats on the snare, four on the high tom, four on the second tom, and four on the floor tom. This is a pattern of singles. If you're ever having difficulty with a fill or a beat, breaking it down into its rudiment pattern often makes it easier.

It's widely contested as to how many rudiments there actually are, but for now we'll say 40 (you'll see why soon). Some are individual, whilst some are variations of similar patterns. We'll start by having a look at some of the most simple/important ones in this video with Deep Purple's Ian Paice.


(Although watch his hands on the singles: you should try to avoid holding your fifth finger out like this as it's important for added control and speed - not that Paice needs more of that, mind you.)

Not only are rudiments good for helping you warm up, or think up new beats and fills, but like Paice says in the video; they're great for working out your hand and wrist muscles.

Most beginner books will include rudiments for you to practice, but it's often to difficult to know if you're keeping a steady speed, or if your beats are sounding even, so Vic Firth had the clever idea of an online rudiment bank (which contains - you guessed it - 40 rudiments for you to practice). This is an excellent tool, and something you might want to work into your practice routine at an early stage. Just click on whatever rudiment you want to learn, and it'll give you the basic pattern, an exercise, examples and a helpful video too.

Trust me, learning rudiments won't happen over night, but as time goes by you will notice the difference in your playing. If you're just starting out, try not to worry on how fast you can play them; the important thing is playing them well. You just need to be patient.

17 May 2011

Practice

What do you think?



Air drumming doesn't exactly look like the coolest thing in the world, but it can actually be really useful. I was once told to practice in front of a mirror to check my technique and generally watch my movements. Not only did this help me neaten up how I play, it taught me a lot about looking interest-ed/ing when you're playing: how many times have you seen someone behind a kit looking like they wish to God they weren't? Here's a tip to those people - if you're not interested, neither is your crowd.

Some people firmly believe in 'mind over matter': if you can visualize it, you can play it. I'm one of those people. Of course this isn't the case with everything: I don't expect to think of the new Dream Theatre song and instantly be able to play it, for instance - of course practicing over and over comes into it - but I do believe it helps.

For example, years ago, I would listen to music like most other drummers: I would just sit there and listen, trying to figure out the drum parts. Then, when I was told to utilise my mirror, I found that instead of struggling to work out the drum parts, I was nailing them quickly. Transfer this to the kit, and I could learn a song off by heart in half an hour, rather than a few. I practiced like this for at least an hour, every night, for years, and can honestly say it improved my playing immeasurably. I can now play almost every album I own, start to finish, off by heart.

Another plus of this technique is that if you're in a band playing covers, you can sit up late at night, headphones in, and play the song over and over and over without disturbing anyone.
Or if you don't have anywhere comfortable to practice over the winter (my garage used to get so cold my fingers would go numb - this is both bad for your hands and bad for your drums. Avoid it like the plague.) it will keep your chops up until it's warm again.

Yes, you'll feel like an idiot at first, and yes, if someone walks into your room and you're sitting on your drum stool, sticks in the air, waiting for the breakdown of 'In the Air Tonight' you'll blush like never before, but trust me, this pays off.



Who's stupid now?